CHUUNIBYOU DEMO KOI GA SHITAI!: TAKE ON ME

DESCRIPTION

CAST

NOVEL ComedyChuunibyou demo Koi ga Shitai!
ONA ComedyChuunibyou demo Koi ga Shitai! Movie: Take On Me Mini-Drama - Koukai Chokuzen no... Kaiko Gekijou
OVA ComedyChuunibyou demo Koi ga Shitai! Ren: Saisei no... Jaou Shingan Mokushiroku

REVIEWS

• 

  Whom

  80/100
  You know it seems the more we talk about it, it only makes it worse to live without it...

  They played a really dangerous game with this one. The idea of "growing out" of chuunibyou is something which has the power to completely fuck up everything that the series up until that point had stood for, something that if you've made it this far in the series, you're likely attached to. Chuunibyou stands out precisely because it takes a hardline stance on becoming serious, down-to-earth, and growing up: it rejects the necessity of them.

  Despite the dangerous territory, this movie takes the step and decides to tackle the questions of "growing up" head-on. Does love and long-term commitment require one to grow up? Are you still the same person? Will the people around you still love you? Needless to say, this had me on edge. I loved it the whole ride through, but there was a growing weight on me as I worried: would they fuck it up? Luckily, they don't at all, and it feels like a natural extension of the series. There was never any doubt that Yuuta and Rikka would be in love no matter how she turned out, but for a while it honestly looked like the movie would hold the position that being in a long term relationship means Rikka will have to "grow up," or at least that she'd be better off that way. Luckily, it instead says that it's okay to grow out of your chuunibyou...or it's okay to stay like that forever if you feel like it.

  This all wraps up and defeats one impression that I never got, but that I can see one taking away from the series beforehand: That having chuunibyou and acting like a child is better than how others think and act, and that everyone else is just stuffy and not embracing their true selves. This film makes it exceedingly clear that the characters with chuunibyou, without it, and those stuck in-between are all right to act as they feel like. It's okay to change, and it's certain that you will in some form, and that's okay. In the context of a story also strictly about how it's okay not to change, that's a beautiful message. It's probably a bit of an unnecessary point to make, but to take the risk to go there in a movie that's otherwise a celebratory crowd-pleaser for fans is a move deserving of respect.

  While I prefer the purer approach of the second season, which focuses almost entirely on the beauty of embracing your chuunibyou, something that's a lot more of a pressing issue (after all, no one in real life is expecting you to keep acting like you did in middle school!), this is a worthy followup and I appreciated the opportunity to sit with these characters again. The humor's on point, and it's an adorable heart-swelling ride the whole way through.

  It's a joy, really.

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• 

  TheAnimeBingeWatcher

  95/100
  One last farewell to one of anime's best couples. Warning: may be too cute to survive watching straight through.

  Honestly, I don’t know how much point there is to me talking about this movie. Chuunibyou is my comfort food, the franchise I come back to when I just want to be in a good mood. The first season is one of my all-time favorites, and the second, while definitely flawed, was still an invaluable experience for me. I literally can’t be objective about it. So when I say I adored the series-closing movie, Take on Me, with every fiber of my being, feel free to take that with as many grains of salt as you wish. But for what’s it’s worth, yes. I adored Take on Me with every fiber of my being.

  Take on Me's purpose is to bring closure to Yuuta and Rikka’s romance, confirming that they are the right people for each other, even through all the nonsense they put each other through. Thing is, we already know that, because that was the central arc of Ren: Yuuta and Rikka coming to the conclusion that their romance was their own, and it could evolve on their own terms. Thankfully, the movie seems aware of this: the brief rehash of that old conflict isn't really meant to be a climax as much as it is a summation. It’s Yuuta and Rikka going over the entirety of their history, from the first time we saw them all the way back in episode 1, and confirming what they already new to be true: their love is real, and it always will be, no matter how it may change or evolve in the future. As such, the film itself follows that same ethos. It doesn’t aim for intense catharsis, because it doesn’t need to. It’s an excuse to hang out with our favorite people one last time, a celebration of the legacy it’s created and an affirmation of why that legacy is worth celebrating. And on that level, Take on Me is a rousing success.

  Storywise, it’s a very loosely plotted road trip movie, an excuse to get Rikka and Yuuta jetting across Japan and visiting famous locales. I don’t know much about Japan’s cultural history, so all the sightseeing pretty much went over my head. But that’s okay, because it’s still Rikka and Yuuta going around seeing these sights. It’s still one of my favorite anime ships of all time, hanging out and doing what they do best over the length of an entire movie. And sweet buttery Jesus, are they adorable. Seriously, this movie is basically just one big, long, dopey smile. I love their chemistry so freaking much; I love how they tease each other and get on each other’s nerves, I love how they both keep each other in check in their own ways, I love how bashful they both get about romantic stuff, and I love how much they genuinely care about each other. And we’re basically watching nothing but that for ninety-odd minutes. Honestly, you could make the case that it’s overkill; my cheeks were sore as fuck from smiling by the time it was over. But who fucking cares? I don’t. Strained cheeks are a small price to pay for the sensation of being consumed by sheer, unadulterated joy.

  Chuunibyou as a franchise just makes me so goddamn happy. I love watching it, I love thinking about it, I love writing about it, and I will always hold it close to my heart. And “Take on Me” is about as pitch-perfect a send-off to the series as I could imagine. Am I sad there won’t be more? Yes. But it’s already given me enough happiness to last a lifetime, and for that, I will be eternally grateful.

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• 

  Nooberton

  100/100
  An Amazing Finale to the Series and an Infinitely Re-Watchable Film!

  Hello and thank you for giving this a read. I really love this series dearly and I think the strongest entry is this movie. I know is commonly neglected with most people only watching the first season and it's a damn shame. I'm hoping in writing this some people might continue the series and watch this film. Honestly I think while the themes within this movie build upon the prior seasons, it's a theme that can stand alone without a lot of prior development making this movie perform surprising well even if you jumped in raw. __Note: _There will be Spoilers, you have been Warned!_ __ # __Film Summary:__ To give a short summary and synopsis to the film, this starts in Rikka and Yuuta senior year of high school. Everything has been going smoothly but there hasn't been a lot of change or any big advanced made by either Rikka or Yuuta. The film opens with Nibutani pressing Yuuta for not making any moves. This pointing to the core thematic conflict of the film. Later they get home and we learn that Rikka's older sister Touka is going to move to Italy for work and is planning to take Rikka with her. With the sudden news and a threat to our main couples relationship they decide to "elope" creating our journey where Rikka and Yuuta go touring around Japan trying to evade capture from Touka as well as Nibutani and Dekomori who are blackmailed into helping Touka in the hunt. This film for the most part is just a lot of fun, leaning into the comedy of the series and having fun with the characters. Nibutani and Dekomori's roles in the story is completely comedic with them being a clumsy-close duo failing at every turn to properly corner and stop our couple. A lot of moments with Rikka and Yuuta are generally just wholesome and sweet but isolated with these characters we sometimes get some serious moments of reflection. # __Themes in the Series Overall:__ Going back to an overall reflection of the series and what people really like if for. Our first season is just a build up to them being in a relationship, but one a serious points is Touka challenging Rikka's chunibyo behavior to try and ground her in reality and process her fathers death in a more typical way. I think there is a lot of nuance and validity to both Touka and Rikka's thoughts there. It really made it stand out against the rest of the twelve episode rom-coms at the time and to boil down it's theme very similarly, it's commenting on escapism and what is a healthy amount to have with something that is distressing and uncomfortable. This is the first season, and each entry shifts with this theme with I think more commonly the second season getting a lot of shit for it's direction. I personally enjoy the second season a lot but I do understand others perspective around it and honestly agree thematically it is the weakest entry within the series. Instead of building on Rikka and Yuuta's relationship, it really just starts with this movies setup of trying to "progress the relationship" along with shifting the narrative around escapism to Satone. I do think she is a good character but her narrative of being a chunibyo to escape from a envy and sadness of not being able to have a relationship with Yuuta is a rehash of season one's narrative conflict under a different light. It doesn't dramatically change up thematically and it sidelines already established characters for the sake of a new one. I still find this entry to be fun but I understand why it turned people off from the series. But that brings us to this film that does not fall into the same trap that the second season fell into. Escapism is again an central element but instead of avoid something the hurts like death within season one, it is used to keep the relationship more static and not have to risk possible trouble that comes from advancing the relationship. # __How to Film Builds onto the Themes:__ In the film, Touka challenges Yuuta in asking he okay in just keeping things how they are. While he properly answers his feeling to this at the end of the film, he's very smart at grasping that Rikka is still attached to being a chunibyo a bit because of the relationship. Here chunibyo syndrome acts as a guard to keep things the same between them and progressing through the film this guard is slowing being broken from the fun adventure and personal time they get together. With this conversation that Yuuta has with Touka, where she brings up the concern of what her mom thinks, He decides to travel north though there journey to visit her and as well get a promise ring for Rikka. I honest think this scene is done so well and it great and displaying this shift and this guard being lowered. This happens after they get off the airplane and before they continue to far Yuuta stops her and gives her the ring. Rikka is quiet quite and in awe at the whole interacting, she does jump to chunibyo mode getting flustered at having Yuuta put the ring on her. But the whole scene all her behavior shows how much value she has for this ring and the meaning behind it. Like with her getting fluster running off and hitting a sign. She hits her head focusing on the pain but as soon as that's over her concern immediately goes to see if the ring is damaged. A lot of this is non-verbal and I think they do great at keeping these small details subtle but still prominent enough to not get buried under the comedic scene. Under everything it boils down to a two part dilemma with Rikka. First, Rikka feels that Yuuta feel in love with her as a chunibyo, and as she falls more and more in love with him she loses a bit of that, and she fears that the more she falls in love, it will do the inverse to Yuuta having someone who character is somewhat different. Then secondly, if Rikka continues to be a chunibyo will she actually be able to progress the relationship anyways. In her perspective, she feels somewhat trapped. This though process can feel very simple and childish and I think that is fine from her character, but I feel this also make Yuuta shine as while he stands as pretty grounded and pretty emotionally mature though the series he faces the challenge of trying to understand those feeling Rikka has towards progression and to properly clear those concerns. It ends with a very cute scene between them on the boat with there conversation somewhat placed in chunibyo speak ultimately get a message that Yuuta says that I love you for who you are now and who you choose to become. Not forcing any sort of change from the character but calming the concerns around if this love could last, and there is also progression with them finally having there kiss. # __Conclusion:__ With all this said, I want to say why I do love this film so much. While the stuff above explains is strengths I want to communicate that there are stories that I think dive deeper into romantic issues, themes or conflicts and there is story telling done with more subtly. While I did hero some moments where they are strong, I want to say this film is actually more simple that I've given it credit for. I think that is perfectly fine and in my opinion one of it's strengths. The film is pretty short, about 1 hour 30 minutes, it's pretty quick and moves between beats and places at a good pace. The films already establish characters create really strong humor that is very funny and still hits strong on multiple re-watches and thematically this film has a solid amount of substances but I wouldn't say it's dense with so much to pick apart. In a nutshell "The movie knows what it is" and I think works off of it perfectly. Because of this as I said I find it to be re-watchable, it doesn't feel bloated, a majority of the film is good vibes and funny moments, and it has a lot of substance to feel like your watching something substantial without ever feeling overwhelming or something you have to watch very closely so you don't miss subtext or deeper meanings. While I don't find it to be the peak of cinema, it is an extremely enjoyable movie and there honestly isn't much more you could ask out of it. __Thanks for reading this review, I hope it was informative of series as a whole and why I particularly find this move to be amazing and why I pretty much watch it once a year!__
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