ROCK WA LADY NO TASHINAMI DESHITE
STATUS
COMPLETE
EPISODES
13
RELEASE
June 26, 2025
LENGTH
24 min
DESCRIPTION
At an elite all-girls' academy where refined young ladies gather, Lilisa Suzunomiya, now the daughter of a real estate tycoon after her mother remarried, is forced to abandon her guitar and rock music to fit in. However, her passion is reignited by sounds from the old school building, where she meets a skilled drummer who shares her love for rock. Together, they embrace their inner rockstars, elegantly clashing and shouting their way through the academy in this captivating tale of grace and rebellion.
(Source: HIDIVE)
CAST
Otoha Kurogane
Miyuri Shimabukuro
Lilisa Suzunomiya
Akira Sekine
Tina Isemi
Ayaka Fukuhara
Tamaki Shiraya
Natsumi Fujiwara
Alice Suzunomiya
Saho Shirasu
Tenchou
Manami Numakura
Natsuki
Mayuko Kazama
Harumi
Shiori Mikami
Aki
Hiromi Igarashi
Hiyori Himejima
Akane Matsunaga
Sonoko Gotouda
Hikari Kubota
Maki Itani
Tomoyo Takayanagi
Yuka Suzunomiya
Kaori Nazuka
Minami Komori
Emiri Suyama
Yukari Fujimurasaki
Kanae Itou
Ryuuichi
Shouya Ishige
Sayuri Ichijou
Mayumi Asano
Itsuki
Ryuuho Nagaoka
Shinji Kobayashi
Hiroki Takahashi
Naoto
Yuusuke Kobayashi
Yayoi Takayanagi
Nao Touyama
Juna
Ayaka Asai
Tsukasa Hasunuma
Yuuki Urushiyama
Uekusa
Tokuyoshi Kawashima
Jun Ishitani
Kenji Matsuda
EPISODES
Dubbed

Not available on crunchyroll
RELATED TO ROCK WA LADY NO TASHINAMI DESHITE
REVIEWS
marioink508
92/100How ‘Rock is a Lady’s Modesty’ Ramps Up the GenreContinue on AniList_This review contains __LIGHT SPOILERS__ for __Rock is a Lady's Modesty__._ [__How ‘Rock is a Lady’s Modesty’ Ramps Up the Genre__](https://anilist.co/user/marioink508/) __A delightful blend of noble etiquette and stage-smashing mayhem__ — _this series electrifies the band genre with its fierce contrasts and unrelenting drive._ --- [__Story - 9.3/10__](https://anilist.co/user/marioink508/) This is one of the series that surprised me the most this season by far. We live in an era where we are starting to see more and more band anime, and I'm all here for it, I love this type of stuff. But, many of those so called band anime series follow quite a similar premise, mostly building on unique characters, and focusing less on a creative approach to the narrative value. Of course there are exceptions to this, the likes of 'BOCCHI THE ROCK!' having some of the best creative direction in the genre, 'K-ON' taking a more slice of life, serene approach. There are some others but I'm not here to speak about the music genre, I'm here to say that, there are a lot of series playing it too safe on the basis of their series, and this series does the exact opposite, having both and amazing premise and building onto great characters. I found 'Rock is a Lady's Modesty' to have one of the most interesting approaches in the genre, also by far the most unhinged moments as well. This series takes away most of the fun from rock music and turns it into insane competition and a love for destruction. Doing all of this while keeping the plot of being a maiden in play, a contrast so heavy, it makes for such amazing interactions and creative moments. This series follows a double personality level plot, of both being a lady, under a prestigious maiden school, with our female lead, Suzunomiya, who lives under both the persona of a rock guitar player and someone who is trying to achieve the top of the ladder to become a noble maiden. This series manages to build onto both of those plots in a balanced manner, making each of them feel relevant and not one moment forgotten or overshadowed. A story full of intense moments as well as a multitude of crashouts, there are a lot of unhinged moments that bring some of the most powerful energy. A level of energy that comes from the amount of competitiveness this series showcases, characters that love being the best and destroying their competition, as well as their teammates. #####
_Episode 1 'Gokigenyô/Sonna Gitâ Yamechimae!!!'_
A lot of this series is trying to keep undercover the band aspect of the series trying to focus on academic studies and building connections, while also playing in a double rock-drums combo for half of the series, probably my only complaint with the pacing, the introduction of the other two band members felt quite late. I loved the duo that both Oto and Lilisa made, yet I feel like this series even with its fun moments was dragging for a bit in the beginning. But what really made this series so good where the hype concert/practice moments, as well as the unhinged crashout sessions, they brought the most out of the characters and brought a vibe that is not that present much in anime. There were also some rock references here and there that were fun to see, many interesting ideas and just a great execution overall with both the pacing and the balance of plots.
Episode 2 'Lady Version: "Let's Collaborate!" / Rock Version: "I will NEVER admit to that!"'
Characters - 8.9/10
When it comes to characters, there aren't really many to speak on really, outside of the main band, we have two or maybe three characters that have some relevance, but that's not necessarily bad, as the band is more than enough to hold this series as high as it is. As previously stated, Lillisa Suzunomiya is the series' female lead, a character that resembles a lot Kikoru Shinomiya from 'Kaiju No.8' now this might be a coincidence but I have to mention this because they are really similar in character design. But when it comes to personality, Lillisa is a character that is both unhinged, as well as really smart. Following her through this series has felt really interesting as she is the most different in the band, maybe along with Tamaki that are both fitting of the rock persona but also the maiden one. Tamaki is less of a crazy character, and a more cold grounded individual in comparison, she is also one of the only characters I though did not have any reason to be involved in the 'lady' narrative. It was a choice that had no influence and was better left without a mention. There is also the fact that every time someone mentions rock as being 'fun' it triggers the hell out of Lillisa, having that as a trigger word made for some funny moments honestly.
Episode 3 'Lady Version: "Let's do it! Let's Do What Feels Good!" / Rock Version: "Wanna Start a Band?"'
Other characters of the series include Otoha, which is the most like a lady from the whole group, going by everything about her, her only breaks are after intense performances and that's it. She keeps her persona the whole time and manages to make so many insults sound polite at the same time, she bring an amazing dynamic to the group being one of my favorites. And lastly, Tina, she is the keyboard player and the shiest person in the band, making for quite and odd choice I might say, she mostly feels like a fan-service selection more than anything, as it is really obvious she doesn't fit the group from the start and has a really slow build-up in the band, which in the end is still not fully rewarding, leaving her as a really disconnected character from the story. Oh yea, there is also Alice, which is Lillisa's step-sister, she is decent, slightly annoying and quite a clingy person but it's alright in the end, she doesn't distract from the important moments.
Episode 9 'Lady Version: "It is Finally Our Turn" / Rock Version: "You're All Too Loud!"'
Visuals - 9/10
The animation for this series was pretty good, it was quite a bit over what I would call the standard for this times, as well as it had some great performance sequences. This is an anime that uses CGI for its performances, and while there are moments where it looks a little out of place, most of the time it's really good, I never had a problem with CGI in anime if it is used with purposed, and this series does do that, the performances are really dynamic with some amazing shots and moving cuts that look great and really add to the experience. The series in general also uses really vibrant colors and builds some great scenery. It has a nice visual style to the characters too. There are also some really random BDSM scenes in some performances, which I'm not gonna lie, build onto the yuri-bait allegations, but they are quite well made as well, I can't deny that, as odd as they may be.
Episode 7 'Lady Version: "I Want to Change!" / Rock Version: "Get on My Level, Friggin' Noob"'
Closing Notes
Closing off, this is quite a unique take on the music genre, a series that builds on unhinged energy and absorbing another's potential. A series full of fun and interesting dynamics, with some genuinely creative direction worthy of a name close to the top of the band anime genre. It is impressive the amount of balance this series manages to consistently have between its two plotlines, making for a really unique experience and some great moments. I had a lot of fun watching this series and laughed my ass of many times, definitely a must watch for anyone that likes band anime in general.
Enjoyment Level - 9.7/10
Favorite Character - Otoha Kurogane
Favorite Episode - Episode 5 ‘Lady Version: "My Heart is Racing" / Rock Version: "Whip Yours Out, Too!"’
FOR MORE CURRENT SEASON ANIME REVIEWS CHECK OUT THIS LINKHeartbreakRebel
89/100Fancy Women + Rock Music + Lots of Sweat = Peak AnimeContinue on AniListMy Review of "Rock is a Lady’s Modesty"!
We need more girls rocking out because this is PEAK!!!
____Story____ After her mom married a rich real estate businessman, Lilisa Suzunomiya was forced to adjust into the life of a fancy woman attending a highly praised all-girls school. However, when an interaction between Otoha Kurogane and Lilisa Suzunomiya led to a jam session between guitar and drums, Lilisa’s love for rock is reignited as both of them begin an instrumental band and dream to perform in big venues.
____Characters____ Lilisa Suzunomiya acts as a refined woman. However, in reality, she’s quite rebellious and rude. She’s aggressive when someone calls rock a “fun” activity since rock is everything to her. As a guitar player, Lilisa plays alongside drummer Otoha Kurogane. She’s very friendly but when she gets a good drumming session in, she becomes a rude criticizer.
____The Good____ It is always going to be a delight to hear BAND-MAID as the OP. They’re on a roll this year with Zenshu in the Winter and now Rock is a Lady’s Modesty in Spring. It’s so catchy and I still get goosebumps from their songs. Episode 9 of this anime was easily one of my favorite episodes out of this entire 2025 Spring season. The music, the story, the animation, everything was on demon time that episode and it blew me away. I loved the chaotic energy from Lilisa and Otoha. The censors were funny and their chemistry was so perfect for this story. This rough and rude attitude is exactly what you would expect from a true rock music anime.
____The Bad____ If I had to complain about something, it’d be about Bacchus, one of the bands they meet in the anime. I just wasn’t a fan of their whole personality and dynamic. I mean, I enjoyed the outcome of their storyline with the MCs, but I just wasn’t a fan of them.
____The Downright Ugly____ Apart from the verbal abuse, there’s nothing downright ugly about this anime.
____Is It Worth The Watch?____ Rock is a Lady’s Modesty is potentially one of my favorite music anime that I’ve watched so far. The balance of modesty and rock is what absolutely drew me in and the banger tracks are what made me stay. Overall, my answer is yes, this is absolutely worth the watch.
Thank you for taking the time to read my review. I hope this helped you with your decision on whether to watch this anime or not! If you already have watched it, I hope that you can agree with me with some of the points I made. If you enjoyed this review, I would greatly appreciate a follow too! ^^
UpbeatDeadbeat
90/100Rockin' Out With Our ***** OutContinue on AniList__Rock as a Queer Metaphor__ Rock is a Lady’s Modesty is a story about self-repression and self-acceptance. Lilisa’s love for rock music is an intrinsic part of her being, something she can’t repress even if she tried. She’s under serious pressure from her mother to fit in at the prestigious Oshin Girls’ Academy and to earn the title of Noble Maiden, a feat that requires her to become the perfect representation of what it means to be a proper lady. Lilisa is determined to achieve this goal, but it requires her constant effort to hold back the less prim and proper aspects of herself, such as her serious temper, penchant for vulgar language, and, of course, her secret passion for the guitar.
When she finds Otoha, the perfect example of a Lady she aspires to be, going absolutely ham on the drums in the music room after school, she’s provoked into participating in a jam session with her that quickly turns into a heated battle of instruments. Otoha plays like a dominatrix (that’s literally how she’s depicted in the scene), tempting her further and further into the thralls of the rhythm, and reigniting Lilisa’s inner rage, fueling her desire to express it through rock.
At first, Lilisa denies that she could ever do another “passionate collaboration” with Otoha, but the temptation is too much to resist, and thus begins a partnership between the two that leads to them forming a band and aiming to one day grace the stage of Fuji Rock.
Throughout the show, the band’s best sessions are depicted as an experience bordering on orgasmic. By playing guitar, Lilisa isn’t just having fun or devoting herself to a hobby; she’s losing herself in the pleasure of it, spurred on by Oto’s provocative drumming and verbal berating. Rock isn’t a game to her; it’s what she lives for, it’s a core part of her identity.
Are you getting how this fits as a queer metaphor yet? It’s not exactly subtle, and the innuendo can feel rather heavy-handed at times, but that doesn’t detract from my enjoyment in the slightest. A story about breaking free from the suffocating confines of stereotypical femininity to have sweaty, sadistic/masochistic, passionate “sessions” with your
lesbian polyculeband, I mean, what’s not to love?__Rockin’ Out With Our Cocks Out__ Most of the humor in this show comes from the girls’ hard rock attitudes. They aren’t afraid to push boundaries and get down and dirty. Lilisa and Oto swear like sailors, which might feel like cheap humor to some, but the shock of hearing lines like “Whip yours out too, you limp-d***ked mofo” never wore out its charm for me. The girls’ refined and polite behavior while attending their high-class academy, compared to their hardcore rock sessions filled with innuendo, makes for an undeniably hilarious contrast.
__Is it Yuri?__ Some might question if this show is actually yuri, or if it's yuri bait. Although the yuri moments are often played for laughs (especially the more explicit scenes), the show’s queer themes and yuri fanservice make it a pure joyride for any GL enjoyer. If it is bait, it’s the goddamn juiciest worm I’ve ever been hooked on. Lilisa and Oto’s dynamic of pushing each other harder and harder, all while smiling in pure bliss, makes them the perfect partners. They’re both undeniably in love with rock, and their shared passion carries over. There’s plenty of shipping potential with the other band members as well, and the show doesn’t shy away from teasing us with moments of chemistry between any pair in the group.
__Music You Can See and Feel__ The musical performance within a band anime is really what can make or break the entire show. Honestly, this is where Rock is a Lady’s Modesty shines the most. Other band anime I’ve watched have good music, don’t get me wrong, but no other band anime's sound mixing and sense of performance realism in particular has left me feeling exactly the way the show wants me to feel in the same way that Rock is a Lady’s Modesty has. When Tina is just starting out and she sucks, you can hear it, she sucks. When she starts practicing and getting better, there’s an actual, noticeable improvement that sounds just as unpolished, but passionate as an amateur should be. When Lilisa is knocked off her game, you can hear it. Her performance is weaker. She still sounds amazingly talented, with impressively polished, technical playing, but when she finally gets kicked into gear? It knocks your socks off. The emotion in the music is totally there. The ability this show has to have you make you feel the hype as if you’re an actual member of the audience is an astonishingly impressive feat.
The CG, mo-capped animation can be jarring at first, but in my opinion, it really added a lot to the immersion of the music scenes. Hats off to BAND-MAID for their performance.
Adding to the musical performances as well are the stunning visual metaphors the show incorporates to express the feelings of the band members right before a major shift in the performance. When Otoha and Lilisa first play collaboratively with a symphonic band, they sweep them up in a tornado of sound, progressively getting faster and louder. When Tina loses her rhythm during the battle of the bands, she’s getting swallowed up by a dark forest, trying to claw her way out.
Performances are never dull for even a moment in Rock is a Lady’s Modesty; they’re utterly engaging thanks to the shonen-battle-like dialogue, dynamic sound-mixing, and striking visuals.
__The Band Members__ Lilisa’s character really shines through with how exaggerated and expressive they animate her. She’s brash and abrasive, often losing her cool and laying down a serious(ly offensive) scolding on anyone unworthy of playing rock. She takes her goal to become the Noble Maiden extremely seriously, showing how ambitious and hard working she can be, highlighted by her impressive guitar abilities she’d honed from a young age. Her conflicting desires- to please her family and to absolutely shred it- make for a compelling main character.
Otoha is so unhinged, and I love her for that. Nothing matters to her except the pleasure she experiences from playing rock. She delivers absolutely brutal lines with a voice as sweet as honey. She’s a greedy lover, demanding more from everyone around her, pushing them to be their best selves. When she’s a little less worked up, she’s the supportive glue holding the band together- a perfect trait for a drummer, mirroring the important role in maintaining the group’s rhythm.
Taking the “prince of the girls’ school” trope and making that girl secretly an autistic weirdo with a big
chestheart was honestly a brilliant choice. Tina provides a nice contrast to the harsher members of the band, especially as a foil for Tamaki, although it’s up to you to decide if you find her tendency to talk through her plushie Usami charming or off-putting.Tamaki is the stone-cold ice queen bassist of the group. She only has respect for Oto, and she’s not afraid to make that clear, making for some nice mid-season conflict when she joins. As a guitarist who prefers bass myself, I love her choice to play the instrument that speaks to her more, despite her talent for both, and although she hides her emotions, I think that really speaks to her own motivations to chase the pleasure of playing rock.
__Final Thoughts__ We’re in a new golden age of Girls Band anime, but even with the competition, Rock is a Lady’s Modesty manages to stand out with its unique setting, bold sense of humor, and music that gets your head banging and middle finger in the air. If you're looking a show that can you have you laughing your ass off one moment, fangirling over a yuri scene the next, and bring everything home by blowing you away with some killer hard rock, this is the show for you.
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SCORE
- (3.85/5)
TRAILER
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Ended inJune 26, 2025
Main Studio Bandai Namco Pictures
Trending Level 6
Favorited by 791 Users
Hashtag #ロックレディ